Sights form the site

I went on a tour of Site 300, the Lawrence Livermore experimental test site just south west of town Friday morning to get a good look at the area.

It has been in the news recently and most of our photos are from dozens of years ago so I joined a community tour and got some new shots of the facility for future stories.

Most of the shots are pretty unspectacular, a building here, an abandoned firing table there we were treated to a pretty good view of the area from 1,700 feet up at an observation post. A heavy haze marred the view but I did like a shot of windmills on a neighbor’s property as they were illuminated by breaks in the clouds.

I also spotted this ceramic steer skull left by a budding artist at the site. Scientist humor, it must be an inside joke or something.

Nature trails

These are just a few of the views from the trail on Mount Diablo’s Fire Interpretive Trail. The April 20th Snapshots column will feature the story behind my foray into nature photography.

The pictures were taken with a point-and-shoot Canon G3 that is a whole different style of shooting. Upcoming hikes will feature more of my attempts at rock and tree photography.

Lone wolf

While shooting a softball game today someone said something to me that made me stop and think. An umpire looking across to two other newspaper photographers shooting the same game from the opposite side of the field looked at me and said, “I guess you picked the wrong side to shoot from.”

Hold on there Chester, I am shooting from the wrong side? I can’t be on the wrong side if I am shooting from the right field side? I can’t be wrong, right? Exactly! Confused, let me explain.

Photographers are a predatory group. Just watch us at a news event and see how we gather like a pack of hungry wolves around our subject. But every now and then a wolf strays from the fold and tries to forage for himself. Now imagine how one stray photographer shooting apart from the crowd must look. What’s up with this lone wolf?

So to answer the question, was I shooting from the wrong side? Not at all. Half the battle of sports photography is putting yourself in position to record the photograph. So why did I choose the right side of the field?

First of all I budgeted myself a full hour to shoot the game. That means I can spend some time and not have to worry about cranking out three good action photos in 15 minutes. Shooting from the right field base line I take a position near the first base bag. This gives me lots of options.

On defense I can shoot the left-handed pitcher and get her face in the shot. I can get a clean photo of any play at second base a descent look at action at third base, a play at home plate and good views of the infielders with the exception of the first baseman. Fly ball action to right field and shallow centerfield is also good pickings from my spot.

On offense I can get face shots of right-handed batters, players sliding into third and any play at home plate. I can also get shots of players diving back to the first base bag on pick off attempts.

What did I sacrifice to shoot from the right field side? Any picture of the hometown player stealing or sliding into second base will be of their back. But from the right side I get a face shot of them at home plate instead of their backs if I was shooting from the third base line.

It is really a matter of what do I what to photograph. There is no right or wrong side to shoot from. The other two photographers probably got nice shots form their vantage point but I am happy with my shots.

Breaking free from the pack may look like the wrong move but I can still come up with the right pictures.

High wire act

I found this worker stringing new electric lines off Valpico Road. What caught my eye was he repetition of lines amid the poles and the wires hanging.

Using my 300mm and my new favorite toy, the 1.4 x extender I got a pretty visual as the lines recede into the distance with the lone worker high above between the two poles.

Pipe dream

I just feel snake bit lately. Every time I think I am done with my shift this week some kind of spot news breaks out.

First it was a marijuana house, then an oil leak on the freeway and yesterday a truck carrying water pipes rolled over on Grant Line Road spilling the load and shutting the roadway down. Something just keeps me at the office whenever I am getting ready to leave.

I can’t get a break. What’s next, a plague of locust?

An oily mess

How do you know your heading into trouble on assignment? When you see helicopters circling above the road you're driving on.

There I was trying to finish my day’s assignments when I took a call from the Associated Press asking me if we had a photographer heading toward the huge oil spill on Interstate-580? That’s another bad sign about your next assignment.

A quick consultation of the maps and a check of the web traffic reports narrowed the trouble spot to I-580 at Bird Road. I headed out and at the end Bird road where it crosses over the freeway I found a sludgy mess. Oil from a ruptured Shell pipeline had seeped through the freeway embankment to cover both lanes.

Caltrans crews were hard at work trying to soak up the oil as they worked to open the freeway which had all traffic rerouted to Highway 132.

Standing on the Bird Road overpass I got a good look at the slick as it oozed down the hillside and across the road. The California Highway patrol hoped to have the roadway cleared by sometime early Wednesday morning.

Hurry up and wait

If you think photojournalism is fast paced filled with excitement and adventure guess again.

My 11-hour Monday was filled with photos of tax preparers, old trees and police raiding a marijuana house.

If your idea of exciting journalism is standing on the sidewalk next tto he dog poop and waiting almost an hour for someone to walk out of the house with a marijuana plant maybe you are born to be a photojournalist. I was just happy when the first officer walked out with a couple of bags of the illegal plants and I could finally get my shot.

A little competition

I was shooting today's naming ceremony of Tracy Fire Station 96 for Dan Watrous with a little competition. I didn’t have any of the other newspapers in the area vying for my shooting spots but instead I had my boss trying to outgun me.

Tracy Press editor Cheri Matthews gathered her notepad along with her digital camera as we both shot the ceremony. I don’t know, maybe she was trying to keep me on my toes or just to see if I would really show up to the assignment on my day off but we both photographed the event from different vantage points.


I told her best looking photos end up being published so the pressure is definitely on me. I did manage to snap a few shots of the boss as she tries to take over my spot.

Lightroom

I have wanted to find a way to speed up my digital photo workflow. At work I import photos through explorer window, edit in Nikon View and then process in Adobe Photoshop. At home on my Mac I import through Apple’s iPhoto, edit in Adobe Bridge and then edit in Photoshop Elements. I have been thinking there must be a way to slim down my production cycle. I think I may have found my answer in the new program Lightroom.

Made by Adobe Lightroom is a digital file, importing, storage, cataloging and basic editing program. My first few sessions with the software gave me a feeling that I was using something similar to Apple’s iPhoto but with a slick Adobe interface. I like iPhoto but it’s limited and confusing image-editing tools turned me off quickly as a serious editing program.


Lightroom also features non-destructive RAW file support, image editing and the ability to email an image from the program among its many features. The program disk comes with Macintosh and Windows versions so I can run them on different platforms.

I will be wringing out the program in the coming weeks to see if it really is the answer to all my needs in the digital photography world and will post my program progress.

Angles

Most photographers know half the battle of getting a good photograph is getting in the right position to take the picture. The right spot, the right lens on the camera always gives the right picture, right? Wrong! There is no right picture. It all depends on the angle you want to take.

Take this softball pitcher at a game I was covering today. What was the right angle to photograph her from? The answer is what did I want to show.

Both of these photos were shot with the same lens, a 70 -200 mm with a 1.4x extender attached. Exposures were nearly identical but the angles were vastly different. I first shot the side view, cropping in to just capture her windup and leg kick. It is a nice shot and shows the power of her stride toward the batter.

For an entirely different look I shot the same pitcher head on at just about the same point in her delivery. Shooting through the backstop fence I put the batter in the frame. The batter lends several things to the picture. It gives a sense of depth; there is a distance you can see between the pitcher and batter. Shooting at a larger f-stop keeps the batter pleasingly out of focus to keep attention on the pitcher. The batter also gives a balance and symmetry to the photo lacking with just the pitcher alone.

Which is the better photo? They each have their own story to tell, the each have their own unique visual interest. Which one will the paper use? Hard to say, it might come down to which shape works better on the page with the other photos. Both tell the same story from a different view, it all about taking a look from a different angle.

Focus

The scary thing about this baseball picture is I wasn’t even trying to focus on the ball.

I was shooting a West High baseball game and he action wasn’t very exciting. I was focusing on the base paths when a sharp ground ball headed toward the West High second baseman.

I was shooting with a 300mm telephoto lens with my new 1.4x extender on. That gives me the effective focal length of 546mm shooting with an Eos 1D. I caught the second baseman just after he scooped the ball up pulled the focus hard and held down the motor drive.

Now as a rule I never shoot with the camera’s built in autofocus mode. I just don’t trust it. I prefer the old school focusing ring and good twist to get the image sharp. But on this picture I was off; bad timing, too much pull in the focus it was a miss.

Back at the office I was editing my shoot and something just didn’t look right on the thumbnail screen image. I called up the full size image and saw that the player was way, way out of focus, but the ball was clear. The stitching on the seams to the lettering on the ball was tack sharp.

I could lie and tell everyone I meant to focus on the ball but who would believe that line. It is a quirky stroke of luck, too far off on the focus on the player and the motor drive sequence managed to capture the ball as it crossed the plane of focus.

I knew it would never make the paper but it is still too cool of a picture and honestly, it is probably the best shot from the game.

Edible art

An artistic co-worker brought a platter of homemade, hand-colored cookies to work to share with staff. It was just too colorful to pass up photographing.

Guard cat

Sometimes when I go on assignment I have to sign in as a visitor to the school or business I am going to photograph. It’s no big deal, you just sign your name on the line and then go about your business.

Out and about on assignment today I was greeted at the front door of the Animal Shelter by their guard cat who thrust the guest clipboard at me the moment I walked in. He just sat there flicking his tail back and forth impatiently waiting for me to sign in. Instead I snapped his picture just to be annoying.

Cats, no sense of humor.

Too close for comfort

There is a saying that if your pictures are not good enough you are not close enough. That is a good rule of thumb but sometimes you can be a little too close.

Take for instance today when I was shooting some skateboarders enjoying the first day of their spring break. Shooting with a 300mm lens with 1.4x extender I was far away from the action but was able to get a nice shot as they started their jump at the end of the ramp.

Looking for something different I switched to a 16mm wide angle and perched dangerously close to the end of the ramp. It was a good perspective as they went airborne but a little hairy as they would lose their board on a bad jump.

Remembrance of the suffering

In the late 1950’s there was a television show called “You Are There” which brought the home audience reenactments of famous historical moments. Viewers could watch the Boston Tea Party, the explosion of the Hindenburg or even see the assassination of Julius Caesar.

I saw one such historical reenactment today as I joined Christians across the country and across the world observing Good Friday services. In the small town of Patterson the Sacred Heart Catholic church there held a Passion play.

The Passion refers to the suffering Christ endured as he was tried and executed by crucifixion on a Friday afternoon. Churches and other groups have strived to show the pain and suffering he endured as he was marched carrying the cross to his death on the hilltop of Calvary.

Patterson’s Passion play put on by the Nueva Aliansa Juvenil was to say the least disquieting. Roman soldiers clad in armor stood guard as the white robe clad man portraying Jesus was paraded before the crowd for his trial. It was all a little to eerie as I photographed the procession as it made its way through the streets of Patterson.

Juan Barrajas playing the role of Jesus carried the cross as the crowd followed close behind on the way to the church. I tried my best to stay ahead of the group as I photographed their procession. Guards following Barrajas swung their whips repeatedly on him as he fell in the roadway. It was all just a little to real looking as they beat him on the ground.

Looking about the crowd the faces were a mix of sad and quiet as they watched the progress to the church. Amid the wailing of the actors you could hear children cry as they got caught in the moment. A little to real to be comfortable. Arriving at the church the actors portraying Christ and the two criminals were placed on crosses and raised into the afternoon sky. The crowd was silent as we watch the guards hammer stakes into the ground at the base of the crosses to secure them in place.

The play continued; guards played dice for his robe, the women wept at his feet and finally his head slumped down as he died on the cross. The crowd fell to their knees and prayed and the play was over.

I couldn’t help but wonder if this is what it looked like thousands of years ago on that hilltop, crowds standing by, the muffled sobs the glaring heat. It seemed so out of place to watch and photograph between the residential streets, cars parked by the curb, a man carrying a cross to his death. It was unnerving to watch but I could not imagine what it would have been like to really have been there and witness the Passion of Christ.